GENRE: Wife Sharing, Cuckolding, Orgies, All Sex, European, French
DIRECTOR: Herve Bodilis
STUDIO/PRODUCER: Marc Dorcel
MSRP: 34.99 (EURO) / $41.30 (US)
DATE OF PRODUCTION: 2016/2017
LENGTH: 1 hr 55 mins
EXTRAS: Trailers
CAST: Clea Gauthier, Mina Sauvage, Lucy Heart, Alexa Tomas, Cassie, Shona River
CONDOMS: Oral (No) / Penetrations (Yes)
SYNOPSIS
Genre trends come, and go in porn. Pun intended. As of late the growing craze among porn consumers, and directors seems to be wife sharing, or cuckolding. Possibly, because of political usage of the word "cuckold". In light of that it's no surprise one of Dorcel's lead directors chose to entertain the idea thereof. In Herve Bodilis's latest themed erotic adventure we find a gorgeous cast of leading lady performers accompanied by a handsome ensemble of musclebound men. Men who are willing to share their onscreen wife with other men, and women ... for the most part. I say "for the most part", because one of the scenes is a forced deviation from the set theme. The rest of the scenes mostly make sense in regards to motif, but there are a couple of instances in total that leave a lot of questions about the direction the film took.
Out of the five included scenes we get to witness a handful of lovely ladies being shared, and fucked silly in some fairly sexy ways. Luxury in the presentation is still a thing. Sets, and set pieces mirror a lavish lifestyle as do the lingerie, and suits applied to the perverted participants. The action ranges from BDSM style wife sharing to an all out harem style orgy, and even a solo performance between a man, and a woman. The latter being the scene that seems so out of place it appears to be last minute filler material. Alexa Tomas, the film's first wife, starts things off hot and heavy on all fours with a ball gag strapped to her mouth. Her husband who dolled her up in her light BDSM attire shares her with another well groomed gentleman in a darkly lit apartment for the entirety of the occasion. The sex is a mixture of hardcore elements including anal, spit roasting, and DP. As usual there are plenty of invasive close-ups, and in the end of the encounter Alexa gets her butt plastered with man gravy.
In scene two Mina Sauvage does her signature thing by prettying up in front of a mirror before taking on the men of the scene. She ends up putting on a two piece see through lingerie set before meeting her husband in the living room for a surprise. She is immediately cuffed with stylish leather handcuffs, and plugged up anally with a gold and jeweled butt plug. Once situated the husband distances himself from Mina observing her from a sofa with grin on his face as she looks puzzled back at him from a sliding glass patio door. Eventually he let's in another man from the opposite end of the home, and it is then that Mina realizes what's up. With no hesitation the newly introduced male partner approaches, fondles, and fucks the young lady as she stands. The penetrations are both anal, and vaginal in nature. For the most part Mina goes solo with the gifted gentleman, but does join up, and finish up with her hubby before all is said and done. Sex is as hardcore as one would expect at this point. There's anal, cocksucking, and if memory serves me well some DP in two positions that are thrown into the mix. Mina does end the show by going solo with her hubby sucking him until he comes on her lips. After the cum hits her lips she rubs it in like lipstick with the man's cock. Thus ending scene two.
Scene three is where the previously mentioned forced entry happens, so to speak. For whatever reason Herve thought it proper to do a man, and woman scene with no sharing at all. The performers both looked of middle Eastern descent, and performed rather poorly in comparison to the more well established performers. The start of the scene was kind of sexy with Clea Gauthier doing a stripper worthy striptease on a coffee table, but it became off putting when the cameraman captured closely the man's disfigured nose. Thankfully the cameraman switched to a more artistic side view of the couple, and stayed from a frontal facial view of the man for the remainder of the sex act. The sex was basic giving way to the usual cock riding, and other base position changes. The ending cumshot which splattered all over Clea's midsection was watery, and kind of favored piss. I'm honestly not sure why this scene was included.
The fourth scenario picks back up in momentum, and in a haphazard sort of way outdoes what the first, and second scene was able to do. The scene featured three women, and two men while never really showcasing, or explaining away the relationships between them. I couldn't tell who was the husband, or if Herve was implying that it was a girl/girl marriage with sharing. All I do know is the Mina Sauvage brought with her a blindfolded man to the awaiting Cassie, and Shona River. At first Mina, Cassie, and Shona tended to the blindfolded man's erection with their mouths. This led into sequential divisions between the lot allowing for single woman tag teaming via the two included men, and some intermittent girl-on-girl action on the side. There was a couple of instances of doggystyle spit roasting, DP, and a final issuing of cum to the eagerly awaiting ladies who were huddled close together like chicks waiting to be fed by the momma bird. It was a top notch scene, just confusing.
Lucy Heart takes the final spot as the cliche wife being shared. In her scene the director's focus wastes no time with the setup. The camera crew captures the key targets of interest in an orderly fashion which happens to include the husband, the lingerie wearing Lucy, and a gentleman who had made himself comfortable on a couch opposite of the couch the husband was sitting on. As sexy as Lucy was at entertaining the guest her onscreen hubby's creepy facial expressions kind of conflicted with her sexy expressions, and gestures. Lucy was constantly watching the husband for approval as she continued having sex with her gifted lover. The camera actually stepped between the two performers to capture those moments in a somewhat awkward intrusion. It was obvious though that Lucy was getting a thrill out of performing for her beloved, and in a creepy way the husband also looked as if he was just as thrilled sitting idly by, and watching the performance as if it were a porno. Eventually, after all the usually fuckery (Reverse Cowgirl, Doggy, DP), Lucy braces herself between her husband and momentary lover taking two cumshots to the face. Thus ending the film.
THE CONCLUSION
I ended my viewing of this film with a mixed bag of feelings. There were three amazing scenes included in the mix, and possibly a fourth if I dismiss the awkwardness of the face captures in Lucy's scene. That being said the third scene with Clea felt so out of place, and forced it not only took from the overall quality of the presentation, but upset the pacing of the film. In fact the sexual intensity was thoroughly so out of whack, and so out of order in the entire film that it felt like the film itself was carelessly slapped together, or rushed. It went from a knockout hardcore start to a slightly lesser intimate second scene, and then to the forced entry that was scene number three. After that the fourth scene's sexual intensity spiked making the first scene seem milder. Color me confused. I will say this film has it's moments, and that it's recommendable, but it's definitely not one of Herve's best.
VERDICT: Recommended
DIRECTOR: Herve Bodilis
STUDIO/PRODUCER: Marc Dorcel
MSRP: 34.99 (EURO) / $41.30 (US)
DATE OF PRODUCTION: 2016/2017
LENGTH: 1 hr 55 mins
EXTRAS: Trailers
CAST: Clea Gauthier, Mina Sauvage, Lucy Heart, Alexa Tomas, Cassie, Shona River
CONDOMS: Oral (No) / Penetrations (Yes)
SYNOPSIS
 |
| Copyright © Marc Dorcel |
Genre trends come, and go in porn. Pun intended. As of late the growing craze among porn consumers, and directors seems to be wife sharing, or cuckolding. Possibly, because of political usage of the word "cuckold". In light of that it's no surprise one of Dorcel's lead directors chose to entertain the idea thereof. In Herve Bodilis's latest themed erotic adventure we find a gorgeous cast of leading lady performers accompanied by a handsome ensemble of musclebound men. Men who are willing to share their onscreen wife with other men, and women ... for the most part. I say "for the most part", because one of the scenes is a forced deviation from the set theme. The rest of the scenes mostly make sense in regards to motif, but there are a couple of instances in total that leave a lot of questions about the direction the film took.
 |
| Copyright © Marc Dorcel |
Out of the five included scenes we get to witness a handful of lovely ladies being shared, and fucked silly in some fairly sexy ways. Luxury in the presentation is still a thing. Sets, and set pieces mirror a lavish lifestyle as do the lingerie, and suits applied to the perverted participants. The action ranges from BDSM style wife sharing to an all out harem style orgy, and even a solo performance between a man, and a woman. The latter being the scene that seems so out of place it appears to be last minute filler material. Alexa Tomas, the film's first wife, starts things off hot and heavy on all fours with a ball gag strapped to her mouth. Her husband who dolled her up in her light BDSM attire shares her with another well groomed gentleman in a darkly lit apartment for the entirety of the occasion. The sex is a mixture of hardcore elements including anal, spit roasting, and DP. As usual there are plenty of invasive close-ups, and in the end of the encounter Alexa gets her butt plastered with man gravy.
 |
| Copyright © Marc Dorcel |
In scene two Mina Sauvage does her signature thing by prettying up in front of a mirror before taking on the men of the scene. She ends up putting on a two piece see through lingerie set before meeting her husband in the living room for a surprise. She is immediately cuffed with stylish leather handcuffs, and plugged up anally with a gold and jeweled butt plug. Once situated the husband distances himself from Mina observing her from a sofa with grin on his face as she looks puzzled back at him from a sliding glass patio door. Eventually he let's in another man from the opposite end of the home, and it is then that Mina realizes what's up. With no hesitation the newly introduced male partner approaches, fondles, and fucks the young lady as she stands. The penetrations are both anal, and vaginal in nature. For the most part Mina goes solo with the gifted gentleman, but does join up, and finish up with her hubby before all is said and done. Sex is as hardcore as one would expect at this point. There's anal, cocksucking, and if memory serves me well some DP in two positions that are thrown into the mix. Mina does end the show by going solo with her hubby sucking him until he comes on her lips. After the cum hits her lips she rubs it in like lipstick with the man's cock. Thus ending scene two.
 |
| Copyright © Marc Dorcel |
Scene three is where the previously mentioned forced entry happens, so to speak. For whatever reason Herve thought it proper to do a man, and woman scene with no sharing at all. The performers both looked of middle Eastern descent, and performed rather poorly in comparison to the more well established performers. The start of the scene was kind of sexy with Clea Gauthier doing a stripper worthy striptease on a coffee table, but it became off putting when the cameraman captured closely the man's disfigured nose. Thankfully the cameraman switched to a more artistic side view of the couple, and stayed from a frontal facial view of the man for the remainder of the sex act. The sex was basic giving way to the usual cock riding, and other base position changes. The ending cumshot which splattered all over Clea's midsection was watery, and kind of favored piss. I'm honestly not sure why this scene was included.
 |
| Copyright © Marc Dorcel |
The fourth scenario picks back up in momentum, and in a haphazard sort of way outdoes what the first, and second scene was able to do. The scene featured three women, and two men while never really showcasing, or explaining away the relationships between them. I couldn't tell who was the husband, or if Herve was implying that it was a girl/girl marriage with sharing. All I do know is the Mina Sauvage brought with her a blindfolded man to the awaiting Cassie, and Shona River. At first Mina, Cassie, and Shona tended to the blindfolded man's erection with their mouths. This led into sequential divisions between the lot allowing for single woman tag teaming via the two included men, and some intermittent girl-on-girl action on the side. There was a couple of instances of doggystyle spit roasting, DP, and a final issuing of cum to the eagerly awaiting ladies who were huddled close together like chicks waiting to be fed by the momma bird. It was a top notch scene, just confusing.
 |
| Copyright © Marc Dorcel |
Lucy Heart takes the final spot as the cliche wife being shared. In her scene the director's focus wastes no time with the setup. The camera crew captures the key targets of interest in an orderly fashion which happens to include the husband, the lingerie wearing Lucy, and a gentleman who had made himself comfortable on a couch opposite of the couch the husband was sitting on. As sexy as Lucy was at entertaining the guest her onscreen hubby's creepy facial expressions kind of conflicted with her sexy expressions, and gestures. Lucy was constantly watching the husband for approval as she continued having sex with her gifted lover. The camera actually stepped between the two performers to capture those moments in a somewhat awkward intrusion. It was obvious though that Lucy was getting a thrill out of performing for her beloved, and in a creepy way the husband also looked as if he was just as thrilled sitting idly by, and watching the performance as if it were a porno. Eventually, after all the usually fuckery (Reverse Cowgirl, Doggy, DP), Lucy braces herself between her husband and momentary lover taking two cumshots to the face. Thus ending the film.
THE CONCLUSION
I ended my viewing of this film with a mixed bag of feelings. There were three amazing scenes included in the mix, and possibly a fourth if I dismiss the awkwardness of the face captures in Lucy's scene. That being said the third scene with Clea felt so out of place, and forced it not only took from the overall quality of the presentation, but upset the pacing of the film. In fact the sexual intensity was thoroughly so out of whack, and so out of order in the entire film that it felt like the film itself was carelessly slapped together, or rushed. It went from a knockout hardcore start to a slightly lesser intimate second scene, and then to the forced entry that was scene number three. After that the fourth scene's sexual intensity spiked making the first scene seem milder. Color me confused. I will say this film has it's moments, and that it's recommendable, but it's definitely not one of Herve's best.
VERDICT: Recommended
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